Dynamic Range Radio is listener-supported, just like NPR or PBS, and relies entirely on donations from people just like you to stay on the air. You won’t hear any ads in between songs on DRR, but the station needs to […]
Dynamic Range Radio is one of the few radio stations, internet or otherwise, that adds no dynamic range compression to its audio signal. To learn more about what this means and why I think Dynamic Range Radio offers the best […]
Having been a fan of eclectic radio stations for many years, I’ve found that the term “eclectic radio” can be confusing for some people. I assume most people know what the word “radio” means, so the word “eclectic” seems to […]
I’m getting a little tired of hearing my own voice on Dynamic Range Radio, so I thought it would be fun to get listeners recording their own station IDs and sweepers. As long as you have the ability to record […]
Dynamic Range Radio is suffering from a hardware failure right now, and my attempts to repair it tonight have been to no avail.
I’ll try to get things up and running this weekend, but the music may be silent for a while.
Sorry about that!
Amazon has a special promotion this month my American listeners might want to take advantage of and which will help support Dynamic Range Radio at no cost to you. If you sign up for a free month of Amazon Prime Instant Video, I get a whopping $10 just for referring you. To reiterate, you pay nothing, I get $10. Sounds like a sweet deal to me and a great way to support Dynamic Range Radio in a way that’s quick, easy, and free.
Just click on the ad in the top right-hand corner of the website and sign up today. If you’re not seeing the ad above the “Audio Links” you’ll probably have to disable your adblocker. You can even cancel before the 30 days are up and Dynamic Range Radio will still get $10, but don’t tell Jeff Bezos I told you that.
You have until the end of June to take advantage of this offer and send me $10, but after June you can still sign up and DRR will receive $3, which is still pretty sweet. Call me crazy though, but $10 sounds even better than $3 so sign up today!
As 2014 comes to a close, it’s time for me to finish my annual review of the year in music.
In a previous post I highlighted the best cover songs of 2014, while this time I’ll focus on the entirely original music that moved me most in 2014, starting with…
Wild Beasts are a UK band who were nominated for a Mercury Prize in 2010 for their second album, Two Dancers. Their fourth LP, Present Tense, arrived in February and became one of the few new albums I spent much time listening to this year.
The Vancouver Asahi is a Japanese movie shot in Tokyo but set in Vancouver, making it quite an oddity, since it’s far more common for movies to be shot in Vancouver but set somewhere else. Even though it’s an entirely Japanese production, it bears all the hallmarks of a Canadian film, meaning it’s earnest, obvious, amateurish, and hopelessly dull. It’s the sort of thing that could play on the CBC on a Sunday afternoon without confusing or offending your great grandmother back on the farm in Saskatchewan, which is a shame because the subject matter had potential.
The Vancouver Asahi is based on the true story of a Vancouver baseball team founded by Japanese immigrants who prospered in the early 1900’s before being sent to internment camps after Pearl Harbor. During the pre-war years, the team became a source of pride for the Japanese community while helping the recent arrivals to integrate into Canadian society. It’s an intriguing piece of Canadian history I was not aware of until I first heard about the movie earlier this year.
At the start of the film, the Asahi are perennial losers until they figure out a way to compete against the bigger, stronger, more aggressive Canadians. Anyone with a scintilla of baseball knowledge knows that the way they’ll end up doing this is with speed, defence, and strategy, but it takes the Asahi more than half the movie to figure this out, and it takes the equally dumb whiteys an entire season to figure out a strategy to combat it.
The film’s Moneyball meets racism concept had a lot of potential, but the movie does absolutely nothing with it except check off all of its predictable, clichéd plot points in the most mundane, mechanical, obvious way imaginable. Individual scenes are so utterly lacking in character or distinctiveness, it’s like they lost the script during production and had to film the beat sheet.
And to make matters worse, the Canadians in the film are all hopelessly bad actors with profoundly laughable accents. Apparently the white actors were all US naval officers posted in Japan, which explains why they all sound like Texans pretending to be Quebecois lumberjacks. If only one of the Canadians had said “aboot” I could have let it slide, but when they all do it’s obvious the filmmakers have never spent much time in Western Canada and think we all sound like Bob & Doug McKenzie. Maybe this is how people in other cultures feel all the time when seeing their stories portrayed on-screen by outsiders, but as a Canadian I’m just not used to it.
The Vancouver Asahi is playing at The Vancity Theatre until January 8th. Get showtimes here.